Sunday, December 20, 2009

HOLIDAY ART: Background drawings for STIMPY'S FIRST FART


I began my career on the REN AND STIMPY SHOW as a background designer, and one of the earliest episodes I worked on in that position was STIMPY'S FIRST FART (was it actually aired on Nickelodeon as SON OF STIMPY? I forget.) John K. had requested I do a whole slew of drawings that had an old fashioned holiday feeling, based on the storyboard. My attempts are shown above. John wasn't happy with them, and years later, I can understand why. While they're moderately competent cartoon drawings, they have no real direction, or feeling. I recall John, in his inimitably annoyed fashion, telling me, "Look at that tree. It's like you just had a pile of crap in your hands and chucked it at a Christmas tree. There's no design, there's just a load of crap.Whatever stuck to it you let stay that way. Is that how you decorate a tree?"

I'm embarrassed to say that I can't recall who drew this for me, Jim Smith or John K. himself. Either way, it's clearly superior (intended as a BG tutorial) to what I'd been drawing. All elements direct the eye towards the characters in the composition. Shapes are bold, and work (for the most part) according to the rules of perspective. There's a lush, organic feeling to it, indicating a very homey and traditional holiday. And note the pail of water towards the bottom. I do recall Jim Smith telling me to always skew shapes slightly, so that they were not functional, but appearing to be functional. This keeps your drawing interesting, without calling too much attention to your shapes. Although both John and Jim attempted to teach me with this and similar drawings, it took me quite a while to internalize the lesson. For years afterwards, I mainly drew pointy, whacky shapes and tried to pass them off as REN AND STIMPY art.

Tuesday, December 15, 2009

LUCKY AT WAR: Reference

I'm still working on my novel, and I realize I haven't given much hint as to what it's about yet. It's pretty epic, I think, following a man's life from his teenage years in the early nineteen-forties, up through his old age in the present day. All of chapter 2 recounts Lucky's ( that's our hero, Lucky) time in the Pacific, during World War II, and drawing it was a daunting task. First off, writer GEORGE CHIEFFET is a huge WW 2 buff---George absolutely knows his beans about this era. If something looked phony to me he'd tell me it was the bunk, in no uncertain terms. I didn't want to get to that point anyhow. I knew if I was going to sell this chapter with the gravity and intensity that I'd wanted, I'd have to do some research.
Not HEAVY research. I'm not that industrious. But I did peruse Google's image search for several hours, looking for everything from B-29's to Hawaiian rugs.
Here are some images from my reference file, along with a few choice panels from Chapter two.












Monday, December 07, 2009

LUCKY DRAWING: Art that inspires me while drawing my graphic novel








I've been a professional cartoonist for a long time, about 25 years, and I've picked up a trick or two. When I began drawing LUCKY IN LOVE, I wanted to integrate all of my cartooning knowledge, but I also wanted to forget some of it. I wanted to pare down, and get to the very essence of cartooning. I wanted my work to be elegant, and simple, but very powerful. I wanted my storytelling to be as clear and precise as possible, and I didn't want to manipulate my audience in the least. I wanted to tell my story plainly and economically, to simply explain what was happening. I did not want to clutter up my pages or panels. I wanted breathing room, air---negative space, really, to help the reader along.
So much of what I see in modern comics is right in the readers face, as if characters were behind plate glass pushing their noses amid sweat and steam, trying to get their point across. Sometimes that can be effective, but I wanted to get away from that. I want my readers to feel, I don't want to tell them what to feel.
Towards that end, when drawing LUCKY, I'm most inspired by some of the early cartooning masters---folks who successfully and powerfully told their stories, before "in your face" became popular. Above are some of the strips from my reference files, which help keep me focused in reaching my cartooning goals!

Monday, November 23, 2009

Long Time No Post, OR, LUCKY IN LOVE Vol. 1







Hello, Blogosphere!

....
so, what's new?
Everybody good? You workin'?

I haven't been here in a long time, huh?
Sorry, I've been busy.

Actually, very busy. These days I'm designing on Genndy Tartakovsky's new Cartoon Network production, SYMBIONIC TITAN, which is a terrific job. And also, I've been drawing a graphic novel.
I'm pretty proud of the novel, really. I've been working on it for a while. My good friend, George Chieffet wrote the narrative, and I lettered and drew the whole thing. In fact, I'm still lettering and drawing the whole thing. But I need to get it done soon, as the good folks at FANTAGRAPHICS BOOKS (h'lo, Kim!) have promised to publish it. It's due to hit bookstores in June of 2010, and in fact, can be pre-ordered right this minute on Amazon.com.
Please to look at my drawings. They're all from chapter one, the first of three in volume one (volume two will be published sometime around 2013).
Enjoy, and please let me know what you think!

Also, my apologies to folks that have written interested in commissions and artwork---unfortunately, my schedule has been quite dense, and I no longer find the time to draw side projects. Of course, there's probably always time during the day to properly and politely respond to your requests, and if you had written and did not hear back from me, I regret any inconveniences I may have caused you.
Thanks for your patience, everyone!
~SDe

Tuesday, September 16, 2008

THE ESSENTIAL KILLRAVEN

So, I just finished reading KILLRAVEN, all the KILLRAVENS from the 70's. 
And I enjoyed myself, but still don't kind of get it.
I think the basic concept of it is this: if H. G. Wells decided to write a sequel to his WAR OF THE WORLDS, he'd probably put CONAN in it, and have Conan go on these KAMANDI like adventures, all the time having Conan speak as if he were SPARTACUS. 
I think that's the basic premise to KILLRAVEN.
Personally, I think a real opportunity was lost here, that Marvel dropped the ball on an interesting concept---What if Earth were conquered by another planet, and how would mankind have survived and thrived after that? Killraven talks a lot about "freemen" and "freedom", but more often he kills rat-people, and fights lots of things with tentacles.
But I'm glad I read it.
It was one of those Marvel Comics from the 70's that always creeped me out a bit. It seemed a little TOO adult (actually, it's pretty darned juvenile). 
But the art's real pretty, through most of it. I've always liked Craig Russell's artwork, and it's fun to see him grow in the book's pages, from someone trying to draw like Steranko to an artist with pretty much his own style. 
What'll I read next? 
I don't know.
I want to read all of the OMEGA THE UNKNOWNS, but honestly can't get behind Jim Mooney's artwork. It's, I'm sorry, it's just too dull to me. 
Likely I'll take on THE ESSENTIAL POWERMAN next. Sweet Christmas! 
Does anyone have any other recommendations for good, weird 70's Marvel, other than that?
I'm all ears, dudes.

Monday, September 15, 2008

BILLY QUIZBOY AND PETE WHITE

Another commissioned piece I drew recently. 
I'm still available, if anyone's interested.....

Sunday, September 07, 2008

THE OTHER HALF OF THE UNIVERSE

Similar to my recent post about meeting Jack Kirby, I also have a STEVE DITKO Story.

So I'm 16 years old, right, and I'm working for the second summer in a row at DC Comics. This time I'm in the export department, and I'm really fucking up at the job, but no one's bothering me about it, and in fact, I'm getting good, free, old comics left and right, because acting department chief JACK C. HARRIS says I can go through the export stash of comics, and if I find doubles they're mine to have. You can believe I found doubles. Anyway, Jack was a good guy to me, the first dude I ever saw who wore blue jeans together with a buttoned shirt and tie that wasn't Billy Joel, and he was also still doing a little comic book writing on the side in addition to running the export department.
One day it's lunchtime, and Jack's out. This little fellow comes looking for him. I remember him as little, maybe he wasn't. But he looked kind of like this:


A guy with a kind of working class build, sporting a short-sleeve shirt and simple trousers. He seemed quiet. I told him Jack was at lunch, and he said he'd wait in Jack's office, and I'm like "okay". He stays a while, I remember passing him by once or twice, and finally Jack returns from lunch and the two of them are talking. 
Then later the guy leaves, and Jack's all like "You do know who that was, right", and I'm all "no", and he says it was Steve Ditko.
I was young, but I knew that was pretty impressive. Not only did I know Steve Ditko was important, I was also a big fan. I mean, yeah, I liked Greg LaRoque back then, but I also knew the work of a true genius when I saw it. Afterwards, it hit me that even just SEEING Steve Ditko was a bit of a big deal, and I wished I'd taken a better look at him. He just seemed like a guy, a small working class guy.
Steve, to me, is the other half of the Marvel Universe. If Jack is all that's powerful and heroic, the true Wagnerian noise of Marvel, Steve is the dark undercurrent, the dissonant tone. The truly human tone. I should get that new Fantagraphics book about him. I should've gotten a better look at him back then.

Thursday, August 28, 2008

HAPPY BIRTHDAY JACK KING KIRBY

I met Jack once.
I was at the San Diego Con years ago, right? And I'm standing near a crowd that goes around the length of the room, they're all there to see Jim Lee. And I don't want to see Mr. Lee, but to each his own. Then over the hall loud speaker, a voice comes on and sez, "Jack Kirby will be signing at such and such a booth in five minutes", and I'm like, OH SHIT~! I wasn't too far from that booth, and so I booked over there. I'm gonna meet the King, or, at least I hope to meet the King, because I figure there'd be an even bigger crowd for him than for Jim Lee.
So, I get to this booth, and there's like five people in line. To meet the King. And there's Jack, this tiny little old man, cute as a button really. But five people? Jesus, this guy's responsible for....everything in this room! 
But really, I felt lucky, because I knew I'd get to meet and speak with him.
So, it's my turn.
And I tell him how much I love his work, and ask him if he really felt uncomfortable rubbing the hump on the kid's back (his only biographical work was about his days as a Lower East Side street tough, and all the kids on the block would go to this humpbacked kid to get a little luck off of him). And Jack sez, "yeah, I didn't want to do it. I guess I was sensitive, y'know?" Cute as a button, this little old dude.
So I said to him, "Look, I just want you to know how much your work has influenced mine", and he realizes I'm a pro, and he looks at my pro badge, glances at it, and says to me, "thanks. I like your work too."
Which struck me as hilarious.

Sunday, August 10, 2008

Mr. and Mrs. THE MONARCH

Another VB commission I did recently.
And speaking of the Ventures, I wanted to clarify a bit about my last post. I described Siobhan's photo as showing "the people that make the show so good", when in reality, those are but SOME of the people that make that show so good. To suggest that only five people, as gifted as they may be, are completely responsible for a television show is kind of a nutty idea, really. In fact, the real-world Team Venture is staffed by some of the most talented folks in the New York animation community! I'll try and name all of them here for you, although I'm sure I'll muck up the spelling of their names, and I apologize for that.
On the design staff we have Martin Wittig, Matt Jenkins and Danny Hynes. Actually, on season 3 (remember, Jackson's in production on season 4 at the moment), the third designer was Douglas Lovelace, and then after Douglas was another Danny, "Kano" Kimanyen.
Danny Hynes was also on the crack storyboard revision team for season 3, along with Lauren Mondardo, Jon Roscetti and Rick Lacy, supervised by the always lovely Siobhan Mullen. The revision team was particularly heroic last season, at least in my eyes. Storyboards have only begun on season 4, so revisions won't begin for a month or two.
The color staff is lead by Liz Artinian, and working with her is Dayo, Chris and Lauren's twin sister, Carly Monardo.
Background design is managed by George Fort. George's team is Chris, Ray and Denny, super-talented all!
The timing staff is supervised by Nick Demayo, and features the talents of Jen, Kimson and Ian.
Rachel Simon is the producer, and Patrick "PeeDee" Shindell is the production manager. Adam and Alex were both on the production staff, and somehow managed to keep a straight face (and maneuver looming deadlines) while sitting next to the ever hilarious PeeDee. Originally, the production manager on season 3 was Cathy Kwan, but when she moved on to greener pastures, PeeDee stepped in and did an awesome job.
Lastly (as far as in-house staff is concerned) is show "editor" Tom Bayne, who I'm lucky enough to share an office with, along with Jackson himself. Tom is a great guy, just great, and killer talented (I do believe I referred to him as a "genius" previously on this blog).
If I've forgotten anyone, please give a shout. Really, you can see all of these names and more if you'll sit through the show's end credits. But then you'd have to squint really hard and read really really fast. And, seriously, all of these people deserve a big, big hand. If you're a Venture fan, give it up for these folks when feeling grateful for the show.
....
Other news:
MONDAY'S STRIP is kind of gone. Sorry. I've just got a bit too much on my plate at the moment. It was fun, and I'm glad everyone enjoyed it while I produced it. Thanks, really.
And about commissions, and the BLOGGIN' BASEMENT---those're not completely gone, but, again, I'm just a bit time-poor lately to pursue either. Still, I've found some pretty choice
stuff to entice you folks inclined to buy art right now. Pretty choice stuff....
later!

Monday, July 14, 2008

MY MOTHER THANKS YOU, MY FATHER THANKS YOU, MY SISTER THANKS YOU, BUT MOST OF ALL....

Entmann thanks you.
I appreciate all the kind compliments regarding my voice work.
Personally, I've yet to see the episode, as I find listening to my own voice icky.

I meant to post designer Chris George's original sketch of Entmann up, but I forgot it at the office.
Still, I want ya'll to remember, I am making myself available for commissions, and in fact am working on a pretty sweet Monarch/Dr. G sketch right now.

Sunday, July 13, 2008

I AM ENTMANN.....coo coo ka joob


Please watch the VENTURE BROTHERS this evening. I donated my meager voice talents to a character prominently featured in tonight's episode. The character's name is "Entmann". If you're a fan of silver age comic books, I think you'll find him pretty funny.

Knowing how crazy you kids are for all things VENTURE, I'm reposting a photo found on shiversmetimbers.blogspot.com, featuring the true TEAM VENTURE. These are the people that make the show so good. Going clockwise and starting at midnight, Storyboard Supervisor SIOBHAN MULLEN, Producer RACHEL SIMON, Co-conspiritor and Chief Medical Officer DOC HAMMER, Art Director & Color Supervisor LIZ ARTINIAN, and Chief Conspiritor JACKSON PUBLICK. 
In glorious super-black and white.

Saturday, July 12, 2008

FINALLY...MONDAY'S STRIP


Written by my very dearest friends,
Anonymous and Carbunkle's Kids.


Lettered by Shivers.
Enjoy!

Wednesday, July 09, 2008

THURSDAY'S "MONDAY'S STRIP"

Okay, I've got a gag. I need a little more time is all.

Monday, July 07, 2008

MONDAY'S STRIP...WHAT MONDAY'S STRIP?

Seems I promised to draw one for today.
Hm.

Well, I don't have one.
My apologies!
I didn't do one.
I'll do one tomorrow.

Once I think of a gag.

Does anyone out there have a good gag?

Sunday, June 29, 2008

DESTEFANO'S BLOGGIN BASEMENT


I'm gonna try something a little new.
If it doesn't work out, I'll ditch it, but I'm trying it anyway, and we'll see how it goes.

I've got a lot of stuff, y'know, a lot of original artwork. Like multiple drawers full. 'Mazing Man artwork, and Looney Tunes artwork. Hero Hotline artwork. Not much Popeye artwork, really, because the originals belong to King Features. But, crikey, I've got a lot of stuff.

And I'm going to start selling it.
Now, in the past, I've shied away from selling my stuff. I dunno, I guess it kind of embarrassed me. But screw that noise, I'm going to sell stuff anyway. I'll also take commissions, something I'd NEVER done before, but I had such a good experience with it recently (see the VB piece below), that I've decided to open myself up to it.
So, check out the new extension I've created to this blog, called DESTEFANO'S BLOGGIN BASEMENT (heh....get it? Bloggin'.....BARGAIN.....ha. Hhhhh.) There's a link over there, somewhere, by the other links. And I think I'm selling good stuff.
And I appreciate your time, and interest, and your looking at my work.
Thanks.

DESTEFANO VENTURES FORTH....(and, FOURTH!)


This is a copy of a commissioned piece I completed a couple of weeks ago. My apologies, though, to the buyer, as well as to Jackson Publick.
Brock, I now realize, is off model.
His mullet is too long.

Even so, it's appropriate that I post this, as this month marks my return to the dangerous world of the VB's as design and storyboard supervisor for SEASON 4 of THE VENTURE BROTHERS. I should note that, while my credit on season 3 reads "Art Director", it's not completely appropriate, as both Mr. Publick and the astoundingly talented color supervisor LIZ ARTINIAN could easily be credited as "Art Directors" on the show as well. But show producer RACHEL SIMONS asked me what I wanted my credit to be, and I got all ballsy with the opportunity.

Monday, June 23, 2008

GRINS AND SMILES AND GIGGLES AND LAUGHS



Did anyone besides me eat this mid to late 70's kid's cereal?
Delish!

RECCARDI RENS



For me, no one drew a better Ren Hoek than Chris Reccardi.
That bastard.

MONDAY'S STRIP...?

Friends,
I'm so happy that everyone's been enjoying MONDAY'S STRIP. 
But--having gone back into production on the VENTURE BROTHERS last week, free time to work on personal projects is scarce and precious. 
I do enjoy producing MONDAY'S STRIP, though, and rather than give it up altogether, I've decided to cut back on its frequency. Look for it to appear the first Monday of every month from now on, appearing next on July 7th!
I'll blog a few odds and ends later this evening, which I think you'll enjoy!
Thanks again,
Stephen de

Monday, June 16, 2008

MONDAY'S STRIP

Thanks to Siobhan for her lettering skills in Photoshop!